Rudolph Franz Zallinger (b. 1919, d. 1995) was born in Irkutsk,
Siberia, on November 12, 1919. His father Franz, an Austrian soldier,
had been captured by the Russians during World War I. He had sufficient
freedom to meet and marry Maria Koncheravich, the daughter of a Polish
civil engineer involved in work on the Trans-Siberian Railway. When
their firstborn was 9 months old, the Zallingers began a harrowing
emigration eastward and eventually settled in Seattle, where their son
grew up.
As a child Zallinger absorbed art early — from
his father (an artist), in school, and from private teachers. When he
was 17, John Butler, a visiting artist from Virginia, urged him to
enroll at Yale. Zallinger entered Yale University’s School of Fine Arts
that year and was given merit scholarships every semester after his
first. He received a Bachelor of Fine Arts in Painting in 1942, and a
Master of Fine Arts in Painting in 1971.
Early in 1942 Zallinger took on a job illustrating marine algae for
oceanographer Albert E. Parr, then Director of the Yale Peabody Museum.
According to Carl Dunbar,
Parr recognized “uncommon talent” in the young artist and began talking
with him “about the possibility of painting a series of pictures of
dinosaurs to cover the east wall” of the Great Hall,
which distressed Parr by its lack of color. Dunbar succeeded Parr as
Director in 1942, and it was Dunbar’s leadership that guided both of
the Museum’s great murals, The Age of Reptiles and The Age of Mammals, to completion.
In April 1942, before beginning on the actual mural, Zallinger
undertook 6 months of studies with Yale and Harvard scientists, and
then 18 months of preliminary art work. Zallinger painted The Age of Reptiles mural from 1943 to 1947. For this magnificent achievement he received a Pulitzer Award for Painting in 1949.
In 1950 Zallinger went back to Seattle to work as a freelance artist. In 1952 he received a call from Life Magazine about the possibility of using the dinosaur mural for its series The World We Live In,
and about new illustrations for the same series, including one on the
Age of Mammals. Accepting this commission, Zallinger returned to Yale
in 1953 as a Fellow in Geology to begin studies for this work. The Age of Mammals was published in Life in October 1953, but not until the 1960s did funds become available for Zallinger to turn this painting into what is now The Age of Mammals mural on the south wall of the Yale Peabody Museum’s Hall of Mammalian Evolution.
During the 1950sand 1960s, Zallinger carried out many other assignments, particularly for Life
articles. The subjects he painted included the tropical rain forest of
Surinam, the Minoans of ancient Crete, and aspects of the Russian
Revolution. He also illustrated the book Dinosaurs for Golden Press in 1960.
Among his many honors were honorable mention for the Prix-de-Rome in
1941, Yale’s Addison Emery Verrill Medal in 1980 for “outstanding
contributions to the field of natural history,” and an honorary Doctor
of Fine Arts degree from the University of New Haven. His paintings are
in the permanent collections of the Seattle Art Museum and Yale
University, and in many private collections.
In addition to teaching at the Yale School of Fine Arts from 1942 to
1950 and his position at the Yale Peabody Museum as “artist-in-
residence” after 1952, Zallinger was on the full-time faculty of the
Hartford Art School of the University of Hartford after 1961. He also
taught courses at the Paier School of Art in Hamden, Connecticut.
Rudolph Zallinger married the painter Jean Day Zallinger while both
were art students, and they had 3 children. Rudolph Zallinger died on
August 1, 1995.